Dance Paper Essay Example for Free

Dance Paper Essay Irish step dancing has existed since the 1700’s, over 300 years. Families in Ireland have passed down Irish step dance from generation to generation as a way of preserving their culture. While the meaning of the dance remains the same, the performance and showmanship has changed dramatically. From girls and boys with pale skin and natural hair to girls with fake tanned skin, huge curly wigs, and thousand dollar dresses and boys with fake tanned skin and outlandish outfits. Irish dance has become more of a spectacle—such as â€Å"Riverdance† and â€Å"Lord of the Dance. † Those dances are some of the most enjoyable and respected around the world. Over time this type of dance has taken on a life of its own and changed from traditional to modern. Despite the changes, however, this dance has clung to the meaning and history behind each intense movement keeping the tradition alive. Irish dance has such a strong response from those who are a part of the audience, teaching or dancing. It is so enthralling that in many ways it is sweeping the nations. Through schools where former dancers will teach the new comers and relay the traditions so they wont be lost in the past. This longing has guided the way for many dance schools throughout the world. The diversity of schools and teachers has lead to a more unique kind of dance. The different styles of the teachers and culture bleed through the movements and the school become products for that certain style of movement. On top of the teachers’ styles, every dancer over time creates a rare technique that melds as a whole with the impression of Irish dance. The fact that the dance is so out there and unique has given it a form of popularity in this century. Numerous people have taken the dance and attempted to improve it with modern aspects. Their efforts are to take the traditional aspect of the dance and form it to coincided with the time period in society. In the past this has been done by interest the dance into limelight. Taking methods of the dance or stick with the traditional movements and showing them in a way that would be more interesting to the public. Which is what was done with Riverdance and Lord of the Dance, which take the form of the dance and use it for a dramatic necessity. There are various parts of Irish dance that have lasted throughout the years to remain an influence on the form known today. These basics have laid the foundation on which the dance has grown. Performed mainly during festivals, which date from the period of Eric the Red and the Viking raids of Ireland. While the Vikings did destroyed most books and written records, it was acknowledged that music and dance were important to the Gaelic culture. These festivals were a mixture of trade fair, political gathering, music, dance, sports, story telling and crafts. Today, the sole purposes of feiseanna are competitive dance competitions. There is still music, crafts, and trades, not as much. Officially there is no political aspect to the festivals anymore, many who participate would tell you otherwise. The reason that the traditional dance has remained apart of the world is because of the teachers and students. But in order to dance the students required movements, steps, and music to put them to. The dance masters—teachers of the 18th and 19th centuries—all had the same original dance steps, while they invented their own steps on top the original ones. There are two different roots, which made two forms of dance: step dancing—from a structural origin and ceili dancing—from a traditional origin. There are four types of Irish music and dances that compose the step dance: jig, the set dances, reel, and hornpipe. All of these dances are more elaborate than ceili and require more teaching. A ceili is a gathering for music and dance—danced mainly for enjoyment and entertainment not competition. It represents an informal tradition of dance that is generally common among people since prehistory. Ceili dances are danced in big groups and are pretty easy to learn. These basics of the dance have been changed in order to modernize it according to the present. The modern history of Irish dance began in 1893 when the Gaelic League was founded. This league was made to support the rebirth of Irish culture. Throughout the 18th and 19th centuries, â€Å"dance masters† trained dancers. The dance masters were all male and traveled from town to town-teaching dance along with other life skills that applied at the time. Dance masters formed both the set and ceili dances, as well as the first schools of Irish dance. Now teachers are both women and men and are paid for their services through their respective dance schools. During the period of the dance masters, stages were much smaller. As the art of Irish dance grew larger, the dancing was effected and the movement of dancers across a stage increased. Now judges will mark dancers down point if said dancer doesn’t move around the stage enough. Where the dancing took place changed too the outdoors to hotels or schools. In the 20th century, complex steps are evident in the new style of dance. Teachers continuously try one another by adding in new movement to every routine—including, in some cases, gymnastics moves. These characteristics along with others allow the traditional dance to explore, evolve, and change into a more modern version of what it was. Irish dancing is a beautiful dance and art that despite being suppressed has risen about to mix with the modern culture creating an influential dance widely popular throughout the world. The feeling by the teachers, dancers, and audience around the world has lead to the dance’s modernization that has improved the dance by creating new steps and movement to add to the traditional ones. Irish dance that has a presence you cannot ignore and with any luck will continue to evolve to withstand the course of time, entertaining whom ever is lucky enough to bare witness to this marvelous dance. Bibliography 1. Brennan, Helen. The Story of Irish Dance. Dingle, Co. Kerry, Ireland: Brandon, 1999. Print. 2. Hall, Frank. Competitive Irish Dance: Art, Sport, Duty. Madison, WI : Macater Press, 2008. Print. 3. â€Å"The History of Irish Dance. † Irelandseye. com. N. p. , n. d. Web. 7 April. 2012. 4. Cipollo, Kaelyn. â€Å"Irish Step Dancing. † Historical Boys’ Clothing. N. p. , 10 May. 1998. Web. 7 April. 2012.

Essay on Shelleys Frankenstein and Miltons Paradise Lost

Shelley's Frankenstein and Milton's Paradise Lost   Ã‚  Ã‚  Ã‚   Even upon first glance, Mary Shelley's Frankenstein and John Milton's Paradise Lost seem to have a complex relationship, which is discernible only in fractions at a time.   Frankenstein is Mary Shelley's reaction to John Milton's epic poem, in which he wrote the Creation myth as we perceive it today.   His characterizations of Adam and Eve and the interactions of Satan and God and the impending Fall seem to have almost taken a Biblical proportion by themselves.   By the time that Mary Shelley read Paradise Lost, it was indeed a stalwart in the canon of English Literature, so it should not come as a surprise to the reader the it should play such a large part in her construction of the Frankenstein myth, which has become an archetypal ghost story on its own.   What makes each of these narratives so fascinating to the reader is the author/authoresses' innate ability to use the ultimate struggle -- that between God and Satan (or Good and Evil) -- which in turn in volves the reader in a most personal manner.   The characters in Paradise Lost, which is chronologically first, and Frankenstein, seem to appear over and over as aspects of themselves and other characters.   The essence of these characters is on the surface relatively bland, but when aspects of Satan start to enter Man and they reconfigure each other, the interest picks up rapidly.   Ã‚  Ã‚  Ã‚   Shelley's use of these characters is drastically different than that of Milton.   Mary Shelley was a product of the 19th Century, when Romanticism, the Gothic Aesthetic, and Science took the forefront of Western Culture.   Milton's era was different: there was little secularization, and religious change was everywhere as the Protestant ... ...2. Elledge, Scott, ed. Paradise Lost. By John Milton. 1674. New York: Norton, 1993. Fish, Stanley. "Discovery as Form in Paradise Lost." Elledge 526-36. Ide, Richard S. "On the Uses of Elizabethan Drama: The Revaluation of Epic in Paradise Lost." Milton Studies 17 (1983): 121-37. Martindale, Charles. John Milton and the Transformation of Ancient Epic. London: Croom Helm, 1986. Mellor, Anne K. Mary Shelley. Her Life, her Fiction, her Monsters. Methuen. New York, London, 1988. Milton, John. Paradise Lost. Elledge 3-304. Shawcross, John T. "The Hero of Paradise Lost One More Time." Patrick and Sundell 137-47. Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992 Steadman, John M. Milton's Biblical and Classical Imagery. Pittsburgh: Duquesne UP, 1984.   

Barbarians at the Gate

Barbarians at the Gate are a look back at the events that has lead to the largest leveraged buyout to have ever occurred in history. This involves the buyout of RJR Nabisco, and how its CEO F. Ross Johnson schemes to buy his very own company. However, Johnson stumbles upon another person who intends to take over RJR Nabisco, in the form of Henry Kravis, an investment banker from Wall Street. It is a power struggle between two rich people, with angles including greed, ethics, power or leveraged buy out. But the focus has been the leveraged buy out, as it was history’s biggest company takeover by a financial sponsor (Burrough & Helyar, 2005).The idea of the leveraged buy out of RJR Nabisco sparked when the company is facing the possibility of market failure due to their release of the smokeless tobacco, Premier. As the company’s CEO, F. Ross Johnson felt that he has to take financial control of his own company because the stockholders of the company are unhappy with whatà ¢â‚¬â„¢s happening. There is no growth in their stocks, with their only hope anchored on the release of their smokeless tobacco product. With this effort to revolutionize the smoke industry, the company wished to dominate and monopolize the smokers market.But the result of the initial market tests showed otherwise. Most smokers who responded to the tests said that the cigarette has the smell of fart and the taste of shit. In order to take the situation to a better turn, Johnson as the company’s CEO, sets his eye on the leveraged buy out of his own company in order to keep the stockholders happy. He takes total control over RJR Nabisco, while putting more money in the hands of its stockholders. There is however, a big risk with this action. It’s because when a company opens up to for a leveraged buy out, it’s a free for all fight.Anyone can make a bid for the ownership of the company. But in Johnson’s mind, everything will turn out right, and no one would find out. A leveraged buyout is a good technique to acquire another company by means of large amounts of borrowed money in the form of bonds or loans, in order to reach the cost of acquisition. In here, the asset of the company being acquired is added up to the collateral for the loans being made. This is in order for the company to make large acquisitions without having to put out a lot of capital for the buy.This is clearly what happened to RJR Nabisco, where the company’s assets were used as collateral in order to amass a great sum of money for the buy out. Everything was going well until they stumbled upon a formidable adversary in the form of the Wall Street Investment Banker, Henry Kravis. Kravis entered the scene along with other bidders who are interested in buying the company. Kravis was a part of a group known to be the kings of leveraged buy outs, the Kohlberg Kravis Roberts (KRR). KRR successfully buys out the RJR Nabisco from its previous owners at a price of $25 Bn. All the efforts coming from F.Ross Johnson have been put to waste. Barbarians at the Gate are a good exploration of one monolithic event in the history of leveraged buy outs. It clearly shows that anything could happen in the free market. In business, money has always been equated to power, and those who possess both of these usually get their way with things. But that’s not all; you also need to strategically think of every action you will take, because the business world is not a safe place: there would always be barbarians waiting outside the gates. Reference: Burrough, B. , & Helyar, J. (2005). Barbarians at the Gate: The Fall of RJR Nabisco: Collin Publishing.

When Discussing Ethics, We Consider The Negative And Positive

When discussing ethics, we consider the negative and positive effects certain moral lifestyles may have on human individuals, human societies, and on humanity as a whole. We debate whether or not we should act in the interest of our personal good, or on the good of others who may or may not be affected at all. Ethicists seek to identify the path which grants humanity a way to use our free will of choice so that, as a result, we suffer the least amount of consequences, or no consequences at all. Some debates seem more clear-cut than others, but when we begin to consider nonhuman individuals, the more complicated a previously simple debate becomes. For example, most people agree on the immorality of forced human testing, but many do not†¦show more content†¦An important component of Immanuel Kant’s ethics actually focuses on defining moral duties, where one such definition calls for respecting the autonomy of human beings. He writes, â€Å"Act in such a way that y ou treat humanity†¦ always at the same time as an end and never simply as a means† (Kant 429-22). For clarification, he describes autonomy as a characteristic resulting from our free will that allows us to pursue our own ends (â€Å"Animal Rights†). By this definition, animals have no free will; they blindly follow their instincts and desires, never faced with choosing between their thoughts and those of others. Without free will, animals also have no autonomy, and therefore humans have no duty to respect them in the same way they respect other humans (â€Å"Animal Rights†). However, Kantian ethics does not condone senseless cruelty towards animals, either. Reasonably, someone who can act cruelly towards animals has the capability to act the same towards humans. We have indirect duties to animals, but only as far as those which affect our moral duties to humanity (â€Å"Animal Rights†). Overall, these principles indicate that animal testing may be justified as long as humans may benefit from it; even if the scientists conducting these tests may be negatively affected by whatever cruelty may ensue, the human benefits outweigh the human harms. Despite lacking autonomy, however, animals still experience both pleasure and suffering.Show MoreRelatedCompanies Are Impacted By Competition Through The Price Of Their Resources929 Words   |  4 Pagesbusiness and ethics do not belong in the same sentence. History has proven that we are making a valiant effort to change that way of thinking. For instance, if we look back at how some of the biggest cases in America that dealt with ethical business practices, we can see that America is taking a stand against unethical behavior in business. Organizations such as Enron, has single-handedly destroyed our faith in ethical business practices. 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